Garland

Note: I am not a writer of fiction. But when faced with a writing workshop challenge to compose a fiction piece from someone else’s perspective, what was I to do? Since I was in the midst of writing a true-story book chapter featuring my grandfather, I called upon a few real-life details to evoke this bit of fantasy. I didn’t even bother to change the names, but you can believe me when I say it is a fictional piece. The thoughts I’ve put in his head came from mine, not his. Besides, my grandfather may have been taciturn, but he was never at a loss for words. Trust me. (And I adored him!)

GARLAND

Born in 1886, Garland grew up with mostly brothers. For three years straight during his twenties, he made the seven-mile walk to Cullowhee Normal School every Monday morning and then back again every Friday afternoon with his younger brother, Odell. During the week, they shared a boardinghouse room.

Garland was used to male company.

When he began teaching school, Garland was surrounded by children. His only adult companionship, such as it was, was with the other teacher in the two-room schoolhouse. She, however, was not male. At night, he went home to his new bride, Georgia. He was all asea in this new world devoid of men.

Ten years later, his family had increased by five—four girls, one boy. One boy, Billy, who turned out to be too much like his father—too smart, too stubborn, too pig-headed—to be much company, even in adulthood. They kept their distance.

The rest of the household hummed with activity: the whir of the treadle sewing machine; the never-ending yackety-yak of Georgia and her quilting friends; sisters playing house or school; the string of neighbor women dropping in to borrow the phone. Why, oh why, had they ever had it put in? And all that girl-crying—was it the answer to everything? The cacophony was a constant cricket chirp in Garland’s ears. Other times, it sounded like fingernails scraping against his schoolroom blackboard.

That’s about the time he gave up teaching in favor of running the little country store just down the road apiece. Once the high schoolers waiting near the door boarded their school bus each morning, it was reassuringly quiet around the place. As the day wore on and morning farm chores completed, farmers began trickling in to pick up their mail, restock their feed supply, or scrounge for a piece of hardware for this or that equipment repair.

They were in no hurry. Whatever emergency awaited them back at the farm wasn’t going anywhere. It would still be there when they returned to their chores. That’s one thing they could count on. There was always time to sit on one of the ladder back chairs or three-legged stools arranged around the pot-belled stove sitting in the middle of the room.

Garland savored those moments. Here, he was in his element. In the company of men. He was never too busy for a bit of fat-chewing with his comrades.

He knew that sooner or later the talk would turn from the weather and the price of cattle to the hot topic of politics. And he knew his face would get as red as the blistering coals in the stove soon as some rube aligned himself with Hoover and his cronies. It was bound to happen. Still, he’d rather engage in a battle of wits with someone in overalls than listen to the incessant yackety-yack of the women who came in to trade their eggs and butter or buy a bolt of fabric.

Retail trade, though, in the midst of the Great Depression, was an even less reliable way to put food on the table than a teacher’s paltry salary. Garland returned to his school room.

Five days a week, nothing but children and women, women and children. Schoolchild rowdiness, sister chatter, housewife gossip, Georgia’s nagging. He retreated into a shell of taciturnity, lonely in places bursting with people. At home, he often slipped off to the barn to get away from it all.

Saturdays, though. Saturdays were his escape. He woke early as usual, dressed, fed the animals and milked the cows like always, then ambled the two miles to town where he could be found standing in the midst of a small clutch of his fellow men, each as anxious as he to escape the drudgery of home life and the grip of their womenfolk.

The man who had nothing to say all week, who felt so out of place on his own property, found a new home on the sidewalks of Sylva. Once again in the company of men, words tumbled from Garland’s mouth as fast and furious as the torrents plunged over the boulders of Black Rock Mountain above his house on their way to Scotts Creek below.

No matter that not one of those men was as whip smart as Garland. No matter that all of them were rock sure they were. No matter that their politics were wrong-headed or that they could argue as long and loud and red-faced as he, as sure of their rightness as he was of his. He had found his place, and for a few hours each week, he was comfortable in his own skin.

The real Garland and Georgia, 50th wedding anniversary. Probably not so comfortable in his own skin at this moment.

Favor

Mother, Daddy, and me when it was just the three of us

When I asked my dad which of our parents he thought each of us children most favored, he went for the obvious answer. I, of course, was much more like Mother, and my brothers like him, he ventured. He couldn’t give me a single reason for his rationale—other than gender. I think it’s a lot more tangled than that.

My mother and I were practically inseparable during my youth. But not in a we’re-like-sisters kind of way. She taught me to sew, to cook, to can and freeze our garden harvest. Working alongside each other for hours each day made for easy conversation. As the oldest of three children and the only girl, I was her designated assistant when it came to cleaning, grocery shopping, or any other domestic chore. She was the adult leader for my 4-H club. She ferried me from one extracurricular activity to another.

Our interests were similar, no doubt in part because she guided me toward hers. So, the casual observer could hardly be blamed for assuming we were kindred spirits. At times, I probably did, too. She’s quieter, though, softer, always happy and optimistic, always a smile for anyone lucky enough to cross her path. I’m a little grainier.

In temperament, personality, and general approach to life, I think I was always much more like my father. Driven Type A personalities, we were achievers, always searching for new and better ways, ready to be called upon, eager to be recognized for our efforts. We were equal parts shyness and show-off. Both vocalists, we shared many a car ride to choir practices or music lessons.

His jokes were corny and he regularly embarrassed me in front of my friends, but I was secretly glad he was a presence at our church’s youth activities. Just his being there made me feel ‘chosen’ in some way.

While I was more likely to confide in Mother or ask her more of life’s impenetrable questions—after all, we were in each other’s company much more often, it’s Dad’s example I always looked to for guidance as I navigated the world of work and other aspects of adult life. He had a way of using diplomacy to make his point, keeping potential foes on his side—or at least off their guard. “Make ‘em love you,” he said. I tried, but I didn’t have his panache.

Maybe it’s a toss-up and I’m more or less equal parts him and her. That’s fine by me. I have been so very lucky to have two truly awesome parents to lead me through life’s thorns and thickets and guide me towards fulfillment and satisfaction. Their stars will always shine bright.

What about you? Do you more strongly favor one parent? What makes it so?

Celebration

 

Today marks a big anniversary in the Gnome and Crone’s household. Exactly forty years ago, our family began our biggest-ever family adventure when we came to this little corner of paradise to stay. Two thirty-something adults, two children only weeks away from their sixth and ninth birthdays, and two formerly housebound cats. We came with a suitcase each of clothes, a tent, and not much else except a whole lot of enthusiasm. Almost everything else—including jobs and any sense of financial security—we left behind.

We’d seen our property twice before—once in early April when we signed the contract, and again in late May. There was no sign of spring on either of those visits.

We had expected our Memorial Day weekend trip to be filled with clearing debris. Wearing nothing more than shorts, tees, and flip flops, we were unprepared when we opened the tent flap the next morning to snow! Clearly, we had a lot to learn about living in the mountains.

But this time was different. On July 2, 1979, summer was in full swing. No longer bare, the five acres of woods were lush with full-leafed maple, oak, beech, poplar, cherry, locust, and wild magnolia trees. The almost equally large section of open meadow was a massive sea of daisies, with the occasional black-eyed Susan thrown in for variety. It took my breath away.

The first few days were for exploring. We discovered the delicate deliciousness of tiny wild strawberries growing everywhere; we visited our wooded mountain creek; we discovered an old locust fence in the edge of the woods along our east boundary line; we found twists of downed trees and ferns and mushrooms and wildflowers.

We found home.

Forty years later, things look a bit different around here. Most of the meadow is gone, thanks to trees sprouting up when mowers were out of order or when we were too busy with life to get around to mowing. We jumped on the Christmas-tree-growing bandwagon and planted a few hundred Fraser Fir and Norway Spruce seedlings. Those, too, got out of hand. Today, they are crowded evergreen giants making a home for birds and other wildlife. Most of the daisies have gotten crowded out.

Just the lower portion of a few overgrown Christmas trees

We got the house built—and decades later, rebuilt. All with our own hands. As dyed-in-the-wool do-it-yourselfers, we can’t bear to farm out any of the work on our place even if that means it gets left undone for far too long.

But we have done a lot. We cleared the land of some trees and over time planted more; we built our forever home with our four hands—as well as the help of four much smaller hands (setting out the building lines, foundation, plumbing, electrical, roofing—the whole bit); we built a spring house and pumped water up from the creek; we built a couple of outbuildings.

We started and abandoned one garden only to begin again a few decades later. This time we enclosed a 5400 square foot space, a space where many of those gorgeous daisies once lived, for vegetables and fruits—we’ve been working on that project for four or five years now, and we do a pretty good job of feeding ourselves from it throughout the year.

 

 

(It may not look like it, but that 5,400 sq ft of enclosed garden space (ready for planting) could hold six clones of our house with a decent amount of space left for landscaping. A couple days’ worth of harvest in pictures 2 and 3.)

Most of all, we raised a family. A family where our children learned the value of making do, of making their own fun, of how to do things with their hands, of learning by doing, and that it’s okay to take (certain) risks—to try new things with an entire world of unknowns in front of you.

(Hover over each photo for caption.)

And now, we have grandchildren to share it all with, too.

It’s been a good forty years. We are looking forward to many more.

     

Same view (more or less) 1979 and 2019. Our road is under the snow.

 

    

Version 1.0 in need of serious rehab after 30 years vs. Version 2.0

If you want to learn more about our early homebuilding experience, you can start here.

Honoring the Dead

A while back I wrote a social media post for the “52 Ancestors in 52 Weeks” genealogy challenge. The week’s prompt was Oldest, and I wrote about the oldest cousin on my mom’s side of the family.

Little Bill died in a tragic vehicle accident at the age of seven, leaving me as heir to the title of oldest. His siblings thanked me for memorializing someone whose life was too short to leave much of a legacy of his own.  

A friend of mine shared that the oldest child in her family had been a ‘blue baby,’ living only nine weeks. When her parents moved nearby in their later years, she learned more about the brother she never knew. She learned about her parents’ abiding love for him. She discovered he was always alive in their hearts. Now that her parents have died, too, she feels called upon to keep his memory alive. That need fuels a deep connection to this person who had never been much more than a myth to her.

I’m currently working on a book about my mother’s life and times. That means her siblings, her parents, her grandparents, too. Almost all of them are long gone from this world, so part of my process involves calling up memories, begging them to awaken from their slumber deep in the recesses of my mind, sometimes birthing random mental snapshots into full-blown narratives.

I was having trouble getting my grandparents’ story to make much sense on paper. I found myself fervently wishing they were still here for a face-to-face. (Actually, this is something I regularly wish for.)

Sometimes, it feels as if they have heard me. My eyes wander beyond the keyboard and I see their ethereal presence. It’s not my imagination; they’re there. Side by side they stand, he in his dark brown dress trousers, their legs as wide at the bottom as at the top, the way they were back in the ’50s. She’s wearing her usual fare: a cotton shirtwaist dress, small brown print on a beige background, her stockings rolled tightly an inch or two above her knees just the way I remember.

I only see my grandparents from mid-thigh down. But I feel them standing together, their arms touching, their eyes boring into the top of my head. They don’t answer my questions. But their presence is powerful. They are urging me on, assuring me if I keep at it, I’ll figure it out. But reminding me it’s all up to me now. They can only cheerlead. And they do. Silently, but hard.

I don’t dare look up. I’m so afraid the gossamer thread that binds us in this moment will drift off, my grandparents with it, and I want them to stay.

 

 

I, too, feel a deep and abiding connection to these people who no longer walk among us. They continue to have much to offer. I want to be the keeper of their flames.

Dancing Trees

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The Gnome has enjoyed playing a woodlands game with our grandchildren during their respective toddlerhoods. He’ll pick them up, hold them in his arms, and place their ears next to one of the large trees in our small forest. “Shh,” he’ll say, in his own hushed voice. “Listen.” After a few pregnant seconds, he asks if they can hear the tree.

Inevitably, they do. Is the unfettered imagination of childhood innocence at work, or are the sounds real? Whatever, watching a small child’s eyes light up, a grin spreading across a lollipop-cheeked face—such moments are pure magic.

On these spring days and nights when the wind skims across the peaks of our mountains in its furious attempt to get who-knows-where, it leaves a few things in its wake.

The crack of still-bare limbs clanging against each other as if they’re engaged in some ancient battle, wooden branches as swords, breaks the silence. Sometimes, one cuts the other to the quick, sending it crashing through other branches on the way to its final destination below.

The wind has an entirely different effect on other trees. Norway spruce and Fraser firs we once imagined growing into a profitable Christmas tree business overwhelmed us—and everything else around. Today, they are jolly evergreen giants, having grown to eighty feet or more, long branches drooping under their own verdant weight.

Wind bends, but never breaks, these resilient trees. Instead, they nod their heads to each other in rhythmic time, their outstretched branches bowing and swaying as if in some sort of complicated old folk dance. It seems they’re almost smiling, wordlessly saying, “It’s okay. I’ve got you covered.”

And they have, in a way. In such close proximity, each supports and shelters its neighbors from the wind’s potential danger. Even more, they create a haven for the wildlife that give us so much pleasure: deer, bears, the squirrels who race through branches in the height of their springtime romantic frenzies, hoppy rabbits, stripey skunks, and of course, the myriad songbirds who seek solace and grow little bird families in the protection of their branches.

 

The long, graceful, ballerina arms of our tallest neighbors wave at me through the glass door that defends me from wind’s ravages. They invite me to join their happy dance. And I do, if only with a smile as I wave back.

Summertime

(Well, this is embarrassing. For reasons too complicated to explain here, I’m not sure whether the following piece is mine or if it’s a compilation of some of my fellow writers. Logic dictates it’s mine, yet it doesn’t feel as familiar as it should. But since summer, in all its fullness, is officially just around the bend, I want to share. So, here goes—with sincere apologies if I’ve inadvertently plagiarized.)

Summertime

Summer is the most voluptuous season.

Summer is like

. . . a rainbow, bright and colorful after a dark storm;

. . . . wide open spaces with no boundaries;

. . . imagination with endless possibility.

Summer is like like the blinding light of a camera flash, the scent of singed skin, the music of Beethoven; it’s like life at full maturity—gone is the perky innocence of youth as hints of age peek through its brilliance.

Summer is like lemonade—sunshiny bright, sweet and tangy, liquid in a sweating glass.

Interpretations of a Snapshot

I tried an experiment a few weeks back when I posted a photo on social media and asked my friends to study its details and tell me what they saw. I said nothing about the photo itself, though a few immediately knew it was a picture of my mom in her teenage years.

I conducted this inquiry for a couple of reasons. It was Mother’s Day and I wanted to do something besides tell how my mother is the best in the world. I hope there are millions of people who believe that about their own moms; we don’t have to compete. But maybe I could get people to spend a few minutes studying her—a different kind of tribute.

I had another reason for seeking input. I’m writing a book about my mom’s life and times, and photographs will be a big part of the story. I love pictures; I’ve probably spent more hours poring over Mom’s photo albums than everyone else in my family together, including my mother. Predictably, my attention is usually drawn to the intended subject of the photos, and I realized I may be missing some important details. Like the fact that the shrubbery and lawn in this picture seem unkempt. There’s a story there, and I’d never even noticed it before I took a long, hard look a few weeks ago. I wondered what others might see that I was still missing and how their attention might hone my own visual sensibilities.

Just the way people expressed themselves caught my interest. Some comments were more emotional and personal while others attempted complete objectivity. Some were philosophical; others whimsical. Here are excerpts from some of the varied insights. Maybe you’ll find the process as interesting as I did. I learned a lot. I hope I’ll never look at a snapshot the same again.

  • I’m noticing the trees or bushes that are behind her—but I can’t name them! I see the pillar is handmade using REAL stones. I think this photo may have previously been in a photo album that had black pages.
  • The photo was taken at mid-day, because shadows are short. The house has a deep porch. It looks like creek rocks were used instead of field stones. One of the trees behind her to the left looks like a young poplar. The tall bush on her left looks like a privet, allowed to grow tall. She is wearing laced shoes and bobby socks. Her dress has a subtle print to it, but the photo is underexposed, so the print does not show well. She has a short vest. It is summer.
  • It asks me the question: Why is this person trying to blend in with the shrubbery?
  • She is standing near a porch and a porch pillar that is encompassed with overgrown bushes. I wonder about the things I can’t see. I can’t see the house, even though I see the rock pillar and the ceiling of what I perceive to be the porch. And I wonder who is taking the picture. And what is in her hand that she is holding up? Her mouth is slightly open, so she must be saying something to the photographer. I like that this photo has lots of plants and less hardscaping than the modern houses have. She is wearing a dress, and ankle socks with her shoes.
  • I see determination and strength.
  • I wonder what she is pointing at with her raised right arm. Is it the vining plant above her finger?
  • I have a thing with black/white photos. I ‘know’ the colours (at least I think I do) and your mom’s dress/bolero is light yellow with a white blouse or front piece. I believe it is all one piece with the bolero attached.
  • She’s standing beside what appears to be an Italian Cypress and pointing to something behind her. If you note the angle of her finger—she is not pointing straight up, but up and behind. The yard she is in is not kept.

And in response to that last comment came these two:

  • Maybe in the 30s and 40s yards were just not manicured to the extent to which we have grown accustomed.
  • I agree. We mowed and trimmed much less back then—no power tools! Not enough time, either; we focused on chicken flocks and large gardens.

I also appreciated that my commenters offered the following perceptions, which have nothing much to do with my photograph but remind me of other important points worth pondering.

  • I am drawn to the torn corner of the photo. It’s sad somehow. It fragments the photo, makes it not whole, much like memory itself—remnants of time, fleeting glimpses into something long past. Photos freeze a moment forever, but like the memory of that moment they will change over time; fade, become fragmented and develop holes that leave out bits of information.
  • When I’m getting ready to do something with a “vintage” photo, I try to do only as much cropping as is truly necessary. My thinking is that I need to preserve the surroundings as much as possible. Even if they don’t seem important to me, they might be significant to future generations.
  • I often try to cut out or hide parts [of a photo] that I don’t think are pretty or don’t make for a good composition. But I need to think more about how to “preserve the surroundings.”

Then there was this one. May we all heed its lesson. “My neighbor used to look at a daylily and point out every little nuance—color, pattern, edge, shape, sizes, etc. She made me look at each flower individually, and the unique beauty of that flower. My desire is to look at people in that manner.”