Dancing Trees

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The Gnome has enjoyed playing a woodlands game with our grandchildren during their respective toddlerhoods. He’ll pick them up, hold them in his arms, and place their ears next to one of the large trees in our small forest. “Shh,” he’ll say, in his own hushed voice. “Listen.” After a few pregnant seconds, he asks if they can hear the tree.

Inevitably, they do. Is the unfettered imagination of childhood innocence at work, or are the sounds real? Whatever, watching a small child’s eyes light up, a grin spreading across a lollipop-cheeked face—such moments are pure magic.

On these spring days and nights when the wind skims across the peaks of our mountains in its furious attempt to get who-knows-where, it leaves a few things in its wake.

The crack of still-bare limbs clanging against each other as if they’re engaged in some ancient battle, wooden branches as swords, breaks the silence. Sometimes, one cuts the other to the quick, sending it crashing through other branches on the way to its final destination below.

The wind has an entirely different effect on other trees. Norway spruce and Fraser firs we once imagined growing into a profitable Christmas tree business overwhelmed us—and everything else around. Today, they are jolly evergreen giants, having grown to eighty feet or more, long branches drooping under their own verdant weight.

Wind bends, but never breaks, these resilient trees. Instead, they nod their heads to each other in rhythmic time, their outstretched branches bowing and swaying as if in some sort of complicated old folk dance. It seems they’re almost smiling, wordlessly saying, “It’s okay. I’ve got you covered.”

And they have, in a way. In such close proximity, each supports and shelters its neighbors from the wind’s potential danger. Even more, they create a haven for the wildlife that give us so much pleasure: deer, bears, the squirrels who race through branches in the height of their springtime romantic frenzies, hoppy rabbits, stripey skunks, and of course, the myriad songbirds who seek solace and grow little bird families in the protection of their branches.

 

The long, graceful, ballerina arms of our tallest neighbors wave at me through the glass door that defends me from wind’s ravages. They invite me to join their happy dance. And I do, if only with a smile as I wave back.

Summertime

(Well, this is embarrassing. For reasons too complicated to explain here, I’m not sure whether the following piece is mine or if it’s a compilation of some of my fellow writers. Logic dictates it’s mine, yet it doesn’t feel as familiar as it should. But since summer, in all its fullness, is officially just around the bend, I want to share. So, here goes—with sincere apologies if I’ve inadvertently plagiarized.)

Summertime

Summer is the most voluptuous season.

Summer is like

. . . a rainbow, bright and colorful after a dark storm;

. . . . wide open spaces with no boundaries;

. . . imagination with endless possibility.

Summer is like like the blinding light of a camera flash, the scent of singed skin, the music of Beethoven; it’s like life at full maturity—gone is the perky innocence of youth as hints of age peek through its brilliance.

Summer is like lemonade—sunshiny bright, sweet and tangy, liquid in a sweating glass.

Interpretations of a Snapshot

I tried an experiment a few weeks back when I posted a photo on social media and asked my friends to study its details and tell me what they saw. I said nothing about the photo itself, though a few immediately knew it was a picture of my mom in her teenage years.

I conducted this inquiry for a couple of reasons. It was Mother’s Day and I wanted to do something besides tell how my mother is the best in the world. I hope there are millions of people who believe that about their own moms; we don’t have to compete. But maybe I could get people to spend a few minutes studying her—a different kind of tribute.

I had another reason for seeking input. I’m writing a book about my mom’s life and times, and photographs will be a big part of the story. I love pictures; I’ve probably spent more hours poring over Mom’s photo albums than everyone else in my family together, including my mother. Predictably, my attention is usually drawn to the intended subject of the photos, and I realized I may be missing some important details. Like the fact that the shrubbery and lawn in this picture seem unkempt. There’s a story there, and I’d never even noticed it before I took a long, hard look a few weeks ago. I wondered what others might see that I was still missing and how their attention might hone my own visual sensibilities.

Just the way people expressed themselves caught my interest. Some comments were more emotional and personal while others attempted complete objectivity. Some were philosophical; others whimsical. Here are excerpts from some of the varied insights. Maybe you’ll find the process as interesting as I did. I learned a lot. I hope I’ll never look at a snapshot the same again.

  • I’m noticing the trees or bushes that are behind her—but I can’t name them! I see the pillar is handmade using REAL stones. I think this photo may have previously been in a photo album that had black pages.
  • The photo was taken at mid-day, because shadows are short. The house has a deep porch. It looks like creek rocks were used instead of field stones. One of the trees behind her to the left looks like a young poplar. The tall bush on her left looks like a privet, allowed to grow tall. She is wearing laced shoes and bobby socks. Her dress has a subtle print to it, but the photo is underexposed, so the print does not show well. She has a short vest. It is summer.
  • It asks me the question: Why is this person trying to blend in with the shrubbery?
  • She is standing near a porch and a porch pillar that is encompassed with overgrown bushes. I wonder about the things I can’t see. I can’t see the house, even though I see the rock pillar and the ceiling of what I perceive to be the porch. And I wonder who is taking the picture. And what is in her hand that she is holding up? Her mouth is slightly open, so she must be saying something to the photographer. I like that this photo has lots of plants and less hardscaping than the modern houses have. She is wearing a dress, and ankle socks with her shoes.
  • I see determination and strength.
  • I wonder what she is pointing at with her raised right arm. Is it the vining plant above her finger?
  • I have a thing with black/white photos. I ‘know’ the colours (at least I think I do) and your mom’s dress/bolero is light yellow with a white blouse or front piece. I believe it is all one piece with the bolero attached.
  • She’s standing beside what appears to be an Italian Cypress and pointing to something behind her. If you note the angle of her finger—she is not pointing straight up, but up and behind. The yard she is in is not kept.

And in response to that last comment came these two:

  • Maybe in the 30s and 40s yards were just not manicured to the extent to which we have grown accustomed.
  • I agree. We mowed and trimmed much less back then—no power tools! Not enough time, either; we focused on chicken flocks and large gardens.

I also appreciated that my commenters offered the following perceptions, which have nothing much to do with my photograph but remind me of other important points worth pondering.

  • I am drawn to the torn corner of the photo. It’s sad somehow. It fragments the photo, makes it not whole, much like memory itself—remnants of time, fleeting glimpses into something long past. Photos freeze a moment forever, but like the memory of that moment they will change over time; fade, become fragmented and develop holes that leave out bits of information.
  • When I’m getting ready to do something with a “vintage” photo, I try to do only as much cropping as is truly necessary. My thinking is that I need to preserve the surroundings as much as possible. Even if they don’t seem important to me, they might be significant to future generations.
  • I often try to cut out or hide parts [of a photo] that I don’t think are pretty or don’t make for a good composition. But I need to think more about how to “preserve the surroundings.”

Then there was this one. May we all heed its lesson. “My neighbor used to look at a daylily and point out every little nuance—color, pattern, edge, shape, sizes, etc. She made me look at each flower individually, and the unique beauty of that flower. My desire is to look at people in that manner.” 

 

 

Never Too Old To Learn

Well, I learned something new the other day!  When we moved to the North Carolina mountains several decades ago, the Gnome and I were taken with the many new-to-us wildflowers growing along roadsides. One, we were told, was phlox, also known as summer phlox, tall phlox, or garden phlox. Phlox paniculata.

Now, we knew about phlox—creeping phox, that is, otherwise known to us as thrift—those mounds of pinks, blues, and violets that cascade over rock walls. Quite a ground cover. Phlox subulata.

This tall phlox  was new to us. Same colors, it grows in clusters on tall, slender stems. Every year we see them brightening up already bright spring days. (Or so we thought.)

What–this isn’t phlox?!

This year, they seem to  be growing in particular abundance–on road shoulders, next to creek beds, on hillsides. But, it turns out, this spring wildflower I’ve been admiring isn’t phlox at all. How about that? What I’ve been admiring this spring is dame’s rocket, sometimes known as gilliflower. Hesperis matronalis, if you’re interested.

I think I can be forgiven for confusing these plants. To the casual—or not so casual—observer, they look identical. Same growth pattern, same height (around two to four feet), same color palette, they grow in similar environments. There are subtle differences, though, and you’d have to get a much closer look than you can when you’re driving past. Dame’s rocket has four petals, while phlox has five. (An easy mnemonic: dame = four letters; phlox = five letters. How convenient!)

This one is phlox.     http://commons.wikimedia.org/wiki/User:Epibase

There’s an easier way to recognize the difference in these two flowers, and it has nothing to do with the appearance of the blossoms: dame’s rocket is a spring flower; phlox blooms later in the summer.

Both are fragrant in the evenings and relatively scentless earlier in the day. The flowers of both dame’s rocket and Phlox paniculata (but not annual or creeping phlox) are edible with a mild, spicy-sweet flavor. Dame’s rocket is a close relative of arugula and mustard and, like them, its leaves (which are best eaten before the flowers blossom) have a slightly bitter taste. Flowers and leaves would make a lovely addition to salads. Sprouted dame’s rocket seeds are also edible.

Moreover, dame’s rocket has been used for medicinal purposes, and it’s also known as an aphrodisiac. Who knew? (Not me. I didn’t even know its name!)

Sad to say, this spring bloomer is considered an invasive species in most states. Seems it has a take-charge attitude, pushing aside more polite plants. So, I won’t be buying any dame’s rocket seeds or digging up roadside plants to pretty up my place. But I’m sure going to enjoy them on country drives. And now that this ‘old dog’  has learned the difference between dame’s rocket and phlox, I think may appreciate both of them even more.

 

 

 

 

 

Nothin’ But a Hound Dog (Or a Hundred or So)

The Gnome and I took a day off last weekend. In theory, we can do that every day of the year now that we are repurposed. Reality is a bit different. We’re each working on major projects, and we push ourselves as if the world will end if we don’t finish sooner rather than later. Actually, that’s the truth—we have way more days behind us than we could ever hope to have in front of us. One day our time will run out and chances are we’ll still have more than a few unfinished projects lying about.

I think that’s the way I prefer it. Much better to be in the middle of something I care about, anticipating the results, than twiddling my thumbs feeling that there’s nothing left to do.

But back to our day off. We decided to visit a small, picturesque waterfall in the small county that borders ours. I’d never seen it, never in our almost forty years here even heard about it until a few months ago. In his work, the Gnome had driven past but, zipping by in a car, he hadn’t had a chance to stop and enjoy it, either.

Falls and a swallowtail at Newland’s Waterfalls Park (Photos by Ron Wynn)

After soaking in the beauty of the place for half an hour or so, we decided to continue on the same rural road to a popular general store, dipping and climbing on curvy mountain roads. Our route took us through the unincorporated community of Cranberry, population 500 or so. (Even before it was settled in 1850, Cranberry was known for having one of the largest veins of iron ore in the United States.)

We passed the grounds of the former high school, which is now being used for occasional community events. The place was crammed with cars and trucks, mostly trucks. A metal yard sign next to the road read, “Heritage Day.”

That sounded like fun. We whipped the car around and headed back. As we drove onto the property, our ears were assaulted with barking, howling, yelping,  baying. We found ourselves surrounded by dogs, dogs, and more dogs. More than a hundred, we were sure. Dogs with their wiggly noses sticking out of car windows, crated dogs in pickup truck beds, dogs pulling people on leashes, dogs tied to fence posts on the shaded lawn. They were not, not a one of them, sleepy yard dogs. These dogs were on the alert. They were, in the truest sense, rarin’ to go.

Hound dogs.

Have you ever heard a hundred hounds baying simultaneously? Well, let me tell you, it’s deafening, each dog with a distinctive and  urgent voice. We couldn’t help but smile.

This was a very particular breed of hound, a scent dog known as the Plott Hound. If you’re not a North Carolinian, maybe just a Western North Carolinian, you may not be familiar with this breed. The dogs were brought to North Carolina by Johannes Plott when he emigrated from Germany in the 1700s. In the early part of the next century, his son Henry moved with his family to the mountain range that bears the family name: the Plott Balsams in Jackson and Haywood Counties in the southwestern corner of the state. Henry continued to breed the dogs, mostly for bear and wild boar hunting. The Plott Hound was named the state dog of North Carolina in 1988.

As it turns out, my mother was born and raised in the shadow of the Plott Balsams, and I’m interested in anything related to that heritage.

plott balsams wikimedia commons

View of the Plott Balsams (courtesy of Wikipedia Commons (wikimedia.org/wikipedia/commons/7/70/Plott-balsams-pb-ll-nc1.jpg)

Somehow, we had landed in the middle of a Plott Hound barking competition. (Never heard of that before.) What a stroke of luck! We followed the dogs.

In the far corner of a temporarily fenced-in section of the school grounds stood a cage, ever so slightly camouflaged. Inside the cage was a bear. Not a real one, thank goodness. But it moved. And it growled. I’m willing to bet bear scent had been sprayed around the cage, too.

In the near corner, dog handlers were hanging on to the leashes of their dogs. From the looks of it, that was some kind of hard work. When the whistle blew, three dogs at a time were turned loose and inevitably flew straight to the cage where they positioned themselves, barked, repositioned, and barked some more, stopping only when the timer blew his whistle and the keepers releashed their dogs, leaving the arena for the next trio to advance.

We didn’t fully understand how the process worked and we left before trophies were awarded. But from what we observed and overheard, we gathered this much. The event is timed. There are three judges. The judges are looking for degree of aggression, number of barks, and focus.

We looked, but if there was anything to Heritage Day other than the dog competition, it was well hidden. Never mind. Listening to the baying of a hundred eager hounds left us buoyant.

We almost always manage to come across some bit of serendipity—chance magic—when we’re out and about. Maybe a four-leaf clover, a funky art gallery, or longhorn cows in a meadow of buttercups. What a treat to happen upon a Plott Hound barking competition.

Have you encountered a bit of serendipity this week?

(Take a listen to the Plott Hounds.)

 

Found Poetry, Part IV

(For more Found Poetry, click here, here, and here. I’d love to hear what you think.)

Merlin’s Last Voyage

crystal moon
out of the mist
ancient evening
entering the mystery
of a hidden world

dark falls the night
on the island cathedral

 

Night Sight

northern lights
swimming
o’er the land, o’er the sea
casting out darkness

 

Earthdream

sunshine on a meadow
the smile of a breeze
breathing light
between two worlds

The Month of Yellow

April is the month of yellow around these parts.

The daffodils finally burst into bloom last week and dandelions along with them. Country roadsides have exploded into an earthly vision of sunshine with forsythia. The shrubs are packed so tightly together, their branches so thick and intertwined, that even the cleverest rabbit would have a hard time navigating them.

And since yesterday, the goldfinches, those canaries of the wild, have overtaken our bird feeders (at least when they can wrest a few perches from the squirrels). At this very moment, I look outside to see half a dozen of the lemony-yellow birds crowded on the feeder outside the living room window, with more waiting in the wings—flitting in the rhododendron, sitting on branches of the nearby mountain ash, even perching on the windowsill.

Everything about goldfinches is showy—bright yellow feathers glowing next to raven-colored wings, sweet soprano chirps filling the air, bouncing flight patterns giddily announcing, “We’re back!”

Ten days ago, the day heralding April, we watched snow falling outside the very window where the finches now gather. Exactly six months ago, the colors were inverted. At ground level, nature was browning. The color was in the trees-—the rich, muted reds and bronzes of fall. Today, our trees are still bare. To see most of today’s colors requires looking down instead of up, down towards the earth from which they are being birthed.

April yellows are the yellowest yellows. Like spring itself, the yellow of daffodils, dandelions, forsythia, and goldfinches is a symbol of happiness, hope, energy, our very life force.

April is a good time to be alive.