More SXM Found Poetry

(For more about my latest foray with Found Poetry, click here. And leave a comment if you find a favorite, please.)

 

I.
waters of time
cast out the darkness
of a thousand teardrops
in the rhythm of the night

 

II.
through the blue
rainshadow sky
the river dances
drifting toward a dream
of canyon sounds
in a western wind

 

III.
out of the mist
promises
memories of comfort

 

IV.
first snow
ocean peace
bamboo forest
in the deep distance
I kiss the quiet

 

V.
breath of sky
sunshine on a stony path
frost on an empty field
summer’s end

 

VI.
the light in your eyes
lifts me on a weightless
incandescent voyage
you are my home

Winter, Reconsidered

My emotional connection with winter has a long history. It has rocked back and forth sometimes depending on my geographic circumstances. For the last few years our alliance has been strained.

This year, I’ve been trying to redefine my relationship to the season of short days and long nights, relentlessly prolonged and wrapped in gray in my neck of the woods.

During the coldest months, the sun’s rays rarely make an appearance and not just because of the brief period of daylight. Overcast is a generous word for many of our wintry days. Of the first fourteen days of this new year, we had perhaps two sunny days. That was the beginning of a season-long trend.

Even those rare days are frequently unhelpful when it comes to getting a dose of Vitamin D. The frigid temperatures allow for only a couple of small skin slivers—between toboggan and eyebrows and between lower eyelids and muffler. Even eyes may be covered with sunglasses, particularly when sun and snow combine to create blinding brightness. And sometimes the snow—especially if it’s deep, icy, or drifts high and unevenly—makes the outdoors a dangerous proposition, particularly for those of us who are more susceptible to breakage because of age.

Nonetheless, I’m taking measures.

  • I treat all my senses: my most worn sweater that wraps me like a cocoon, thick, soft socks, and a plush comforter make me feel as if I’m burrowing into the neck of a friendly Old English Sheepdog.
  • I surround myself with the soft glow and herbal scent of candles. I play soothing music that lifts my spirit—mostly classical, folk, and Celtic.
  • I try to hold an intentional smile, if only as subtle as the Madonna’s. It brings comfort to those around me, and my spirits unconsciously lift.
  • I sip tea, slowly, and look at the outdoors. Really look at it, noticing all the nuances of winter’s offerings, playing with words to find the most descriptive—and life-affirming—ways to describe the scene before me.

The work is all-encompassing. But so far it has proven worth the effort. Winter will still be around for a while up here on the diagonal, so I’m still working at it.

Our society has a tendency to think of winter as a time of death. Green grass and summer wildflowers have ‘died;’ leaves have fallen and dried making deciduous trees look dead. I’ve challenged myself this year to look at nature differently.

Lawns may no longer be emerald, but they will regrow; the grass is not dead. We have a tendency to overlook the subtle tan shades of tall grasses, but they provide rustling interest on a winter day, even more when they wave gently in a breeze.

Winter isn’t a braggart. Its marvels are less noticeable than the lushness of spring and the vibrancy of summer. In those seasons, winter’s elusive wonders are hidden. But now—now they surround us. Now is the time to revel in them.

When I manage to get out of doors, whether for a walk in the woods or a scenic drive, I look again. I search for positive words, alternatives to bleak, dreary, and overcast. Words like contemplative, silver-tinged skies, reflective, pensive. Winter calls us to introspection. Is that why we resist it?

On one typically cold but unusually bright morning, the roofs of the houses we passed on our way to town were covered with the thinnest veneer of frost. As we rode by, sunlight played on the icy crystals, creating a glittery shimmer, as if the shingles were made of twinkling fairy lights.

The skeletal trees, bare of their green camouflage, fill the landscape with sculptural architecture. Their nakedness allows me to appreciate aspects hidden at other times of the year.

The branches of some reach upward, as if in praise of the sky. Some trees are encircled by draping branches, reminiscent of welcoming arms ready to enfold me and offer comfort. Some trees are so gnarled and craggy it’s easy to imagine they sit on the edge of an enchanted forest.

About now, with trees looking as bereft of life as they have for months, the sap begins rising, an event which will go entirely unnoticed except for syrup makers and those who happen to fell a tree at that crucial time, but pivotal to the reemergence of the verdant leaves we long for.

Subtle color variations and not-so-subtle textural differences in tree bark differentiate one species from another. Touch a sycamore or crape myrtle, with bark as smooth as the proverbial baby’s bottom.

Consider the trees with peeling bark—paper thin birches and rugged shagbark hickories, or the finely ribbed bark of the pin oak and the thick, deeply furrowed bark of the black locust. Bark with overlapping plates, like black birch, make me think of armadillos and scaly dinosaurs.

As I look more closely at trees, I see mosses as dark as midnight and lichens, some the palest green, eerily fluorescent in the dark. In the woods outside my kitchen window sits the tree stump. Over time, moss has begun to creep upwards, slowly covering its sides. Today, I saw for the first time that the entire stump is blanketed in moss as soft as down, hinting at a fairyland.

There are trees with burls and hidey holes. Who goes there?

A cyclops tree?

Winter serves a purpose. Plants store up their reserves, ready to explode with new life as warmer weather and more hours of sunlight appear. The flora does what it needs to do during winter. Animals know how to handle winter, too. Some, like plants, go dormant to preserve strength, feeding off stores of fat until nature is ready to provide its bounty.

What if we humans were to welcome winter in all its aspects and live with it, not against it, as the rest of nature seems to do so well? What if we turned off the electronics, indeed perhaps electric lights when the sun goes down. What if we did those quiet chores best done in front of a fire or by candlelight with a cup of hot chocolate or tea at our sides? What if, instead of staring at some screen, we talked to each other, played games together, put together a jigsaw puzzle, corresponded with relatives and other friends, read aloud or silently, wrote, contemplated? What if we used winter to restore ourselves, to create, to maintain?

Would our family and internal lives be richer? I think they might. Would we welcome winter as we welcome spring? Would we be better primed for what life brings in the next season? We might begin to treasure and even look forward to long winter evenings as a time of personal and family enrichment.

We can’t beat winter. Why not join it?

 

A New Find

I’ve occasionally played around with found poetry, that genre that refashions existing texts to present them as poems.  Poets.org describes found poetry as a literary collage and notes that it usually comes from newspaper articles, speeches, letters, etc.

But I recently discovered another rich source for found poetry: musical titles from the SXM station I most often listen to while in the car. In turning these titles into short poems, I’ve almost always left the titles just as they are, making only the rarest addition of a pronoun or preposition and even more rarely omitting a word from the original.

To offer the greatest possible freedom of interpretation, my SXM found poems are short, generally untitled, and mostly lacking punctuation, choices that seem to offer the best opportunities for individual interpretation. Just the way I like it.

Here are a few. I’ll drop in more in future posts. Because each one is so short but distinct from the others, I think they’re best experienced in small doses. If something particularly strikes you, one way or the other, I hope you’ll comment. I’d like to hear what you think as I keep working on this intriguing poetry style.

I.

all dreams
are made within
looking through
voices of the past

 

II.

the wind
whispers visions
stretching my wings
as the story unfolds

 

III.

desert afternoon
bright sky
dark dreams
in a long lonely light

 

IV.

Swimming with stones
in a dark and silent space
as a clearness of light
beams out of the silence;
now I let it go.

 

V.

miles from nowhere
wind whispers
on a lazy afternoon
I could live here
at one with you

 

One Life

What if someone were to curate a museum exhibit of your life? What objects would you want included? What would they say about who you are and what matters to you? How would the accompanying plaque interpret the exhibit?

Here are some vignettes I picture as part of my “One Life” exhibit:

A seed picture, a macramé wall hanging, and a handwoven basket depicting a childhood of craft-learning at my grandmother’s feet which morphed into my would-be-hippie-street-fair-vendor period and morphed again into a more nuanced appreciation of handiwork and an unending need to work with my hands;

A shelf filled with books by the likes of Annie Dillard, Mark Twain, Mary Oliver, Robert Fulghum and more, some of which prompted me to read more while others influenced who I became and still others led me to become a writer myself;

A table holding a pencil, eraser, and notebook symbolizing my love of writing, an urge  that visited me randomly and infrequently until recently, when it became a near obsession;

A collection of LPs and CDs: classical—Mozart, Chopin, Mussorgsky, Beethoven (there was a time when I fantasized about becoming a concert pianist. That time was sandwiched between my Debbie Reynolds period and delusions of being a race car driver); folk—philosophical storysingers the likes of the Kingston Trio, Christine Lavin, John McCutcheon, and Carrie Newcomer who prick our consciences and prod us to action with thought-provoking messages, sometimes with some quirky humor thrown in; the Gaelic melodies of Enya and kin which, through their sheer ethereal beauty, transport my mind to the shores of my heritage;

A hammer, a saw, and a scattering of nails on a 2 x 4 piece of lumber portraying our once-in-a-lifetime homebuilding adventure;

A grouping of family heirlooms—perhaps a chair, a plate, a crocheted doily: items that tell the story of my attachment to family and family history;

A tent, a canoe, and a campfire all in the midst of a small square of outdoor space, testaments to my love of camping, water, and nature;

A collection of photo albums—more proof of my strong sense of family as well as my love of photography, nature, and wildlife;

A corner filled with bumper stickers, protest posters, sit-in images, and a couple of rabble-rousing speeches representing my passion for human rights, all sorts, and my years as an activist and leader in social change movements;

A few fruit- and vegetable-filled canning jars next to some colorful seed packets resting atop a small mound of well-composted garden soil—evidence of my gardening and food preservation heritage and interest.

All of this would, of course, be displayed against a backdrop of the Blue Ridge mountains while the sounds of bird songs and a waterfall are piped into the exhibit space.

Looked at as a whole, such an exhibit speaks to me of eclecticism (or perhaps the inability to settle on any one thing). I like to think it also speaks of an enthusiasm for life, a certain joie de vivre. But I see what isn’t there, too—in some cases, things I wish I’d had a chance to experience or was passionate about, but in truth am not; in others, things that once mattered and have been cast aside. I see the absence of objects that are critically important to other people but don’t matter a whit to me.

(Conspicuously absent is anything about my family—other than the references to the photo album and family heirloom exhibits. Make no mistake: they are, every single one of them, central to my life. But with this kind of exercise, it’s all too tempting to focus on other people and to turn the whole thing into a cliché, so I resist the urge.)

Chances are, there are also things that have simply skipped my mind in the moment. If I were to write this piece next week or next year, an entirely different collection of objects might appear.

I wonder what my exhibit would say to the casual observer? What about yours?

The Holy in the Here and Now

The Holy in the Here and Now

Someone recently mentioned to me that dogs are more in tune with the earth than we humans. Think about it: they sense moods; they know when a storm is coming. In a car with the window down, they sniff out every scent—apparently with great joy. They know when their beloved human is due to arrive or even when someone unexpected is about to come up the drive.

Chalk it up to heightened sensory skills if you want. But the bottom line is dogs aren’t distracted by the sometimes inane things we allow to get in the way of capturing the moment. They don’t share our incessant ability to fret over the past and agonize about the future. They’re all about the present.

It’s a lucky person who can see what is holy in the here and now:

a child’s laughter,
the wind,
daffodils and cardinals,
redbuds and moss,
the wingbeat of bats,

the architecture of a tree,
a baby’s toes,
sister duets,
cloud shadows drifting across mountains,
the poetry of a shovel’s utility,

dew drops on a spider web,
the songs of spring peepers after an evening shower,
little red wagons,
a seed’s unfurling tiny leaves as they break through the soil,
baseball and kite-flying,

a cow’s bellow or the dignity of a donkey,
food from the field,
a friend’s voice,
leaf mold and mushrooms on the forest floor,
a letter in the mail,

embers of an evening campfire,
grapes fresh off the vine,
the kindness of a stranger,
hope,
a poem,

Spanish moss dripping from oak branches,
a pat on the back,
a smile across the room,
a snowflake caught on the tongue,
a mockingbird’s repertoire or a magpie’s iridescence.

The holy: it’s where we choose to look and how we choose to see.

 

 

The Ones Who Show Up

The Ones Who Show Up

As a society we’re often drawn to bigness. Philanthropy is equated to charitable giving in the millions. Grand gestures get attention. But what would we do without the small gestures? All that magnanimity we hail from people who can easily afford it would be meaningless without the little deeds of daily kindness, sacrifice, and responsibility from just plain folks. I refer to:

* the neighbor who brings groceries to the shut-in

* the gardener who grows a little extra to donate to homeless shelters

* the young woman who weekly organizes her mother-in-law’s medications

* the busy teacher who takes a few sacred moments to send a note of encouragement to a former student

* the friend who brings cookies and laughter to her terminally ill neighbor

* the co-worker who offers a much-needed compliment to a beleaguered colleague

* the harried nurse who still finds time to bring a bookmark to a patient who reads

* the child who writes chatty letters to her lonely grandparents

* the boys who shovel the snow-covered walk of someone recuperating from surgery

*the passerby who comes to the rescue of a drowning chipmunk

* the writer who sends nostalgic essays to aging relatives

* the man who cares for an acquaintance’s pets when she’s injured and hospitalized

* the many who give to a stranger’s health-related social media campaign, even when their own resources are scant

* the shopper who hands a dollar to the one in front whose bill was a bit bigger than his pocketbook

* the one who smiles at a stranger

* the young one, tired from a long day of grueling manual labor, who nevertheless offers his seat to the older one

* the teens who bring homemade goody boxes to residents of the nearby nursing home

* the foreign visitor who chases you down to return a dropped scarf in the parking lot

* the kid who carries an injured classmate’s books

* the retailer who takes precious time off from work to visit a stranger in prison

* the club members who de-litter a section of highway

* the customer who holds the door for a daughter and her wheelchair-bound father

* the stranger who catches a runaway shopping cart

* and the building custodians and sanitation workers, the electric line workers and snowplow drivers, the bedpan emptiers and street sweepers who do the dirty work at all hours of the day and night to make getting through each day easier for the rest of us.

Oh, that we would glorify these, the ones who show up, the ones who make a profound difference by changing not the world but what is three feet around them.

Little Things Mean A Lot

Little Things Mean A Lot

Have you ever looked around your home and thought about which things are especially meaningful to you? If you’re like me, it won’t be the big-ticket items, whatever they are. Instead, it will be the little things, sometimes things you’ve held onto for no apparent reason, things to which no one else would attach any importance.

I took a virtual house tour recently and came up with a few special items.

1. The one I’ve had the longest is a Little Golden Book, Busy Timmy. I have a few others, too, but this one captures my imagination for a variety of reasons. Stereotypical as these books were when I was an impressionable tyke, they were my ticket to the wonderful world of words. Timmy could do anything, it seemed. I was just as proud when I could do something on my own—that was the whole idea, after all. I loved the illustrations. And I learned to read. I’ve had this book for close to seventy years. (How is that even possible?!) It never gets old, and it tickles me no end to share it with my grands.

These books are well worn!

2. You’ve surely been asked the question, “If your house was on fire and you could save just one thing, what would it be?” Though I’m sure the true answer lies only in the experience of the moment, my answer to the hypothetical has always been “my photographs.” I’m addicted to picture-taking. I get even more joy from perusing old photos—snapshots of friends and family, vacation scenes, nature photography. I love it all. Of course, I’d never succeed in my photo-saving quest—my albums fill close to ten linear feet of my bookshelf real estate. And that’s not counting the boxes full of loose snapshots or the photos on external drives and SD cards. But I’d do my best. They’re memories of the richest sort. Visual links to time and place that only exist in memory. Treasured keepsakes to share with next generations whose only tie to their past lies in pictures and words.

3. A large, two-tone brown mixing bowl was a fixture in Mom’s kitchen for as long as I can remember—the kind you might find in an antique consignment shop these days. Everything from meatloaf to cake got mixed in that bowl. It’s long had a hair crack down one side, but I still use it almost daily. It wasn’t just part of my childhood; it was part of my learning to cook, an essential item in my 4-H foods project. I mixed up my prize-winning cornbread in it, and I still do today.

4. Growing up, I never cared all that much for framed crewel, embroidery, or cross-stitched pieces. They were too old-fashioned for my taste. But when my mother was breaking up housekeeping, I grabbed a few for old times’ sake. Today, they hang on my walls in places of honor. Each one has a story. This one’s my favorite.

5. My dad took up woodworking in retirement, following in the footsteps of a couple of his brothers. He carved walking sticks, made wooden chimes, turned earrings from exotic woods. I especially liked the clocks he made of aged barn wood. He enjoyed coming up with corny themes for them. (Corn was one of his specialties.) On the frame of mine, he etched, “Spring Time.” Each numeral is represented by a small metal spring. It makes me chuckle. It’s just so Dad.  

6. After decades of filling up precious bookshelf space with my old college textbooks (not to mention hauling them move after move), I finally admitted I no longer had a use for them. Gosh, the psychology texts were embarrassingly outdated. But there’s just something about those old books: their look, their heft, their scent. The slick pages alone send me into paroxysms of nostalgic joy. No doubt part of the allure is the childhood memory of my dad’s sole surviving college text. When I was eight years old, I tortured my younger brother with “school,” while I, as teacher, busily underlined sentences full of words I didn’t understand in that chicken husbandry book.

Still, I knew it was time. Wistfully and semi-regretfully, I began packing my old books in a donation box. Then I came upon my treasured Milton text. I temporarily set it to the side. Not for its content—I tried rereading a few lines. Crikey! No, it was for what it represents: a small seminar class where I was fully present. I loved the challenge of it. I dared to speak out. I got listened to, I belonged, I thrived.

I kept the book.

I could go on and on, but you get my drift. Sentimental trinkets, whose meaning often lies in what they represent rather than the objects themselves—these are the things I value. One of my favorite Top 40 hits during my teens was the song, “Little Things Mean A Lot,” sung by Joni James. “Blow me a kiss from across the room/Say I look nice when I’m not/Touch my hair as you pass my chair/Little things mean a lot . . . Don’t have to buy me diamonds and pearls/champagne, sables, and such/I never cared much for diamonds and pearls/’cause honestly honey they just cost money.” In spite of some fingernails-on-the-blackboard grammar, the song’s theme aligned with my ethos then and now.

I guess it shows.

What about you? Have you taken inventory of your most precious things? Where do they rank on the scale of monetary value? Do you love them for what they are or for what they signify? Or is it just me? Feel free to share in a comment.