One Life

What if someone were to curate a museum exhibit of your life? What objects would you want included? What would they say about who you are and what matters to you? How would the accompanying plaque interpret the exhibit?

Here are some vignettes I picture as part of my “One Life” exhibit:

A seed picture, a macramé wall hanging, and a handwoven basket depicting a childhood of craft-learning at my grandmother’s feet which morphed into my would-be-hippie-street-fair-vendor period and morphed again into a more nuanced appreciation of handiwork and an unending need to work with my hands;

A shelf filled with books by the likes of Annie Dillard, Mark Twain, Mary Oliver, Robert Fulghum and more, some of which prompted me to read more while others influenced who I became and still others led me to become a writer myself;

A table holding a pencil, eraser, and notebook symbolizing my love of writing, an urge  that visited me randomly and infrequently until recently, when it became a near obsession;

A collection of LPs and CDs: classical—Mozart, Chopin, Mussorgsky, Beethoven (there was a time when I fantasized about becoming a concert pianist. That time was sandwiched between my Debbie Reynolds period and delusions of being a race car driver); folk—philosophical storysingers the likes of the Kingston Trio, Christine Lavin, John McCutcheon, and Carrie Newcomer who prick our consciences and prod us to action with thought-provoking messages, sometimes with some quirky humor thrown in; the Gaelic melodies of Enya and kin which, through their sheer ethereal beauty, transport my mind to the shores of my heritage;

A hammer, a saw, and a scattering of nails on a 2 x 4 piece of lumber portraying our once-in-a-lifetime homebuilding adventure;

A grouping of family heirlooms—perhaps a chair, a plate, a crocheted doily: items that tell the story of my attachment to family and family history;

A tent, a canoe, and a campfire all in the midst of a small square of outdoor space, testaments to my love of camping, water, and nature;

A collection of photo albums—more proof of my strong sense of family as well as my love of photography, nature, and wildlife;

A corner filled with bumper stickers, protest posters, sit-in images, and a couple of rabble-rousing speeches representing my passion for human rights, all sorts, and my years as an activist and leader in social change movements;

A few fruit- and vegetable-filled canning jars next to some colorful seed packets resting atop a small mound of well-composted garden soil—evidence of my gardening and food preservation heritage and interest.

All of this would, of course, be displayed against a backdrop of the Blue Ridge mountains while the sounds of bird songs and a waterfall are piped into the exhibit space.

Looked at as a whole, such an exhibit speaks to me of eclecticism (or perhaps the inability to settle on any one thing). I like to think it also speaks of an enthusiasm for life, a certain joie de vivre. But I see what isn’t there, too—in some cases, things I wish I’d had a chance to experience or was passionate about, but in truth am not; in others, things that once mattered and have been cast aside. I see the absence of objects that are critically important to other people but don’t matter a whit to me.

(Conspicuously absent is anything about my family—other than the references to the photo album and family heirloom exhibits. Make no mistake: they are, every single one of them, central to my life. But with this kind of exercise, it’s all too tempting to focus on other people and to turn the whole thing into a cliché, so I resist the urge.)

Chances are, there are also things that have simply skipped my mind in the moment. If I were to write this piece next week or next year, an entirely different collection of objects might appear.

I wonder what my exhibit would say to the casual observer? What about yours?

The Holy in the Here and Now

The Holy in the Here and Now

Someone recently mentioned to me that dogs are more in tune with the earth than we humans. Think about it: they sense moods; they know when a storm is coming. In a car with the window down, they sniff out every scent—apparently with great joy. They know when their beloved human is due to arrive or even when someone unexpected is about to come up the drive.

Chalk it up to heightened sensory skills if you want. But the bottom line is dogs aren’t distracted by the sometimes inane things we allow to get in the way of capturing the moment. They don’t share our incessant ability to fret over the past and agonize about the future. They’re all about the present.

It’s a lucky person who can see what is holy in the here and now:

a child’s laughter,
the wind,
daffodils and cardinals,
redbuds and moss,
the wingbeat of bats,

the architecture of a tree,
a baby’s toes,
sister duets,
cloud shadows drifting across mountains,
the poetry of a shovel’s utility,

dew drops on a spider web,
the songs of spring peepers after an evening shower,
little red wagons,
a seed’s unfurling tiny leaves as they break through the soil,
baseball and kite-flying,

a cow’s bellow or the dignity of a donkey,
food from the field,
a friend’s voice,
leaf mold and mushrooms on the forest floor,
a letter in the mail,

embers of an evening campfire,
grapes fresh off the vine,
the kindness of a stranger,
hope,
a poem,

Spanish moss dripping from oak branches,
a pat on the back,
a smile across the room,
a snowflake caught on the tongue,
a mockingbird’s repertoire or a magpie’s iridescence.

The holy: it’s where we choose to look and how we choose to see.

 

 

The Ones Who Show Up

The Ones Who Show Up

As a society we’re often drawn to bigness. Philanthropy is equated to charitable giving in the millions. Grand gestures get attention. But what would we do without the small gestures? All that magnanimity we hail from people who can easily afford it would be meaningless without the little deeds of daily kindness, sacrifice, and responsibility from just plain folks. I refer to:

* the neighbor who brings groceries to the shut-in

* the gardener who grows a little extra to donate to homeless shelters

* the young woman who weekly organizes her mother-in-law’s medications

* the busy teacher who takes a few sacred moments to send a note of encouragement to a former student

* the friend who brings cookies and laughter to her terminally ill neighbor

* the co-worker who offers a much-needed compliment to a beleaguered colleague

* the harried nurse who still finds time to bring a bookmark to a patient who reads

* the child who writes chatty letters to her lonely grandparents

* the boys who shovel the snow-covered walk of someone recuperating from surgery

*the passerby who comes to the rescue of a drowning chipmunk

* the writer who sends nostalgic essays to aging relatives

* the man who cares for an acquaintance’s pets when she’s injured and hospitalized

* the many who give to a stranger’s health-related social media campaign, even when their own resources are scant

* the shopper who hands a dollar to the one in front whose bill was a bit bigger than his pocketbook

* the one who smiles at a stranger

* the young one, tired from a long day of grueling manual labor, who nevertheless offers his seat to the older one

* the teens who bring homemade goody boxes to residents of the nearby nursing home

* the foreign visitor who chases you down to return a dropped scarf in the parking lot

* the kid who carries an injured classmate’s books

* the retailer who takes precious time off from work to visit a stranger in prison

* the club members who de-litter a section of highway

* the customer who holds the door for a daughter and her wheelchair-bound father

* the stranger who catches a runaway shopping cart

* and the building custodians and sanitation workers, the electric line workers and snowplow drivers, the bedpan emptiers and street sweepers who do the dirty work at all hours of the day and night to make getting through each day easier for the rest of us.

Oh, that we would glorify these, the ones who show up, the ones who make a profound difference by changing not the world but what is three feet around them.

Little Things Mean A Lot

Little Things Mean A Lot

Have you ever looked around your home and thought about which things are especially meaningful to you? If you’re like me, it won’t be the big-ticket items, whatever they are. Instead, it will be the little things, sometimes things you’ve held onto for no apparent reason, things to which no one else would attach any importance.

I took a virtual house tour recently and came up with a few special items.

1. The one I’ve had the longest is a Little Golden Book, Busy Timmy. I have a few others, too, but this one captures my imagination for a variety of reasons. Stereotypical as these books were when I was an impressionable tyke, they were my ticket to the wonderful world of words. Timmy could do anything, it seemed. I was just as proud when I could do something on my own—that was the whole idea, after all. I loved the illustrations. And I learned to read. I’ve had this book for close to seventy years. (How is that even possible?!) It never gets old, and it tickles me no end to share it with my grands.

These books are well worn!

2. You’ve surely been asked the question, “If your house was on fire and you could save just one thing, what would it be?” Though I’m sure the true answer lies only in the experience of the moment, my answer to the hypothetical has always been “my photographs.” I’m addicted to picture-taking. I get even more joy from perusing old photos—snapshots of friends and family, vacation scenes, nature photography. I love it all. Of course, I’d never succeed in my photo-saving quest—my albums fill close to ten linear feet of my bookshelf real estate. And that’s not counting the boxes full of loose snapshots or the photos on external drives and SD cards. But I’d do my best. They’re memories of the richest sort. Visual links to time and place that only exist in memory. Treasured keepsakes to share with next generations whose only tie to their past lies in pictures and words.

3. A large, two-tone brown mixing bowl was a fixture in Mom’s kitchen for as long as I can remember—the kind you might find in an antique consignment shop these days. Everything from meatloaf to cake got mixed in that bowl. It’s long had a hair crack down one side, but I still use it almost daily. It wasn’t just part of my childhood; it was part of my learning to cook, an essential item in my 4-H foods project. I mixed up my prize-winning cornbread in it, and I still do today.

4. Growing up, I never cared all that much for framed crewel, embroidery, or cross-stitched pieces. They were too old-fashioned for my taste. But when my mother was breaking up housekeeping, I grabbed a few for old times’ sake. Today, they hang on my walls in places of honor. Each one has a story. This one’s my favorite.

5. My dad took up woodworking in retirement, following in the footsteps of a couple of his brothers. He carved walking sticks, made wooden chimes, turned earrings from exotic woods. I especially liked the clocks he made of aged barn wood. He enjoyed coming up with corny themes for them. (Corn was one of his specialties.) On the frame of mine, he etched, “Spring Time.” Each numeral is represented by a small metal spring. It makes me chuckle. It’s just so Dad.  

6. After decades of filling up precious bookshelf space with my old college textbooks (not to mention hauling them move after move), I finally admitted I no longer had a use for them. Gosh, the psychology texts were embarrassingly outdated. But there’s just something about those old books: their look, their heft, their scent. The slick pages alone send me into paroxysms of nostalgic joy. No doubt part of the allure is the childhood memory of my dad’s sole surviving college text. When I was eight years old, I tortured my younger brother with “school,” while I, as teacher, busily underlined sentences full of words I didn’t understand in that chicken husbandry book.

Still, I knew it was time. Wistfully and semi-regretfully, I began packing my old books in a donation box. Then I came upon my treasured Milton text. I temporarily set it to the side. Not for its content—I tried rereading a few lines. Crikey! No, it was for what it represents: a small seminar class where I was fully present. I loved the challenge of it. I dared to speak out. I got listened to, I belonged, I thrived.

I kept the book.

I could go on and on, but you get my drift. Sentimental trinkets, whose meaning often lies in what they represent rather than the objects themselves—these are the things I value. One of my favorite Top 40 hits during my teens was the song, “Little Things Mean A Lot,” sung by Joni James. “Blow me a kiss from across the room/Say I look nice when I’m not/Touch my hair as you pass my chair/Little things mean a lot . . . Don’t have to buy me diamonds and pearls/champagne, sables, and such/I never cared much for diamonds and pearls/’cause honestly honey they just cost money.” In spite of some fingernails-on-the-blackboard grammar, the song’s theme aligned with my ethos then and now.

I guess it shows.

What about you? Have you taken inventory of your most precious things? Where do they rank on the scale of monetary value? Do you love them for what they are or for what they signify? Or is it just me? Feel free to share in a comment.

 

Mortality

January 27, 2011:

My cousin died today.

And so it begins. I’d already found myself wondering who among the twenty-two of us would be first. Figured it would be one us older ones. Hoped it wouldn’t be me.

Instead, it was one of the younger set—ten years my junior. Cancer’s what got him: unpredictable, ugly, indiscriminate disease. You never know about life’s twists and turns, how it will all end.  

Cousins 

 

March 20, 2016:

It’s happened again. This time on my mother’s side of the family. This time it was one of us older ones. Not oldest me but the next in line.

Life feels more precarious than it did yesterday. We’re all, we cousins, entering the danger zone, that time in life when a generation ago death was the norm at the age we are today. Now, we think we’re still too young. Clearly we’re not.

They say it’s when your last parent dies that you feel most vulnerable, when mortality becomes vividly real. But I’m not so sure. Cousins—we’re the same generation. We were toddlers together. We grew up together. We see ourselves in each other’s faces.

When it’s one of us, a different kind of light goes out.

Gender Bender (for Danielle)

What if humans . . .
were synchronous hermaphrodites
like earthworms
who, when two mate,
both become impregnated?

Now, that’s equality!

Or the banana slug,
able to mate with itself alone?
Uniparental reproduction
is what it’s called.

As much fun as with a partner?
More?
Simpler, for sure—
certain of being in the mood.

What if humans . . .
were parthenogenic
like the rock lizard?
Some turkeys do it, too—
going it alone
reproducing without fertilization,
making maleness irrelevant
for species survival,
making maleness obsolete?

If men were extraneous,
would we still
keep them around
just for the fun of it?

What if humans . . .
were like the blanket octopus,
she a hundred times his size
and he, wanting to mate,
breaks off his penis
and gives it to her
for keeps?

The ultimate romantic gesture?

What if humans . . .
were like seahorses
where the male
is the one
who gives birth?

Would we have any reproductive laws?

What if humans . . .
were like anemonefish
practicing dominance hierarchy?
Where the largest female rules
and upon her death
the favored male
gendermorphs to take her place,

where all develop
first as male; then mature
to female.

How would social conventions change?

What if humans . . .
were bidirectional
like hawkfish
able to change gender
at will
and back again
and again?

What would we learn
when we’ve lived both sides?
Where would we hang
our biases?

What if?

(First published in Branches Literary Journal in a slightly different form, 2017)

Hindsight

Hindsight

wrinkly skin thin as tissue paper
her shrunken skeleton icicle brittle
betraying
all her eighty-one years

yet between her thinning surface
and rickety bones
with all her hopes and imaginings
she is still eighteen

her blood flows just as warm
nerve fibers crackle
with the same electricity
as all those years ago

her brain just as alive
her soul just as eager
for adventure,
for love

in the mirror even her age reverses
whether on a slip of paper
or by visions reflected
from her cataract peepers

though now the dreams from long ago—
some realized, some not—
are the stuff of nostalgia
and sometimes bittersweet

for now she knows
some of those dreams
have lost their chance
to become real

and some
might better have been
unrealized
after all

what we wanted at eighteen
isn’t always what we’ll wish we’d had
when the years have vanished
before our rheumy eyes.